As I said before, my hunger in learning about puroresu, both past and present, is large, but my knowledge is sparse. I couldn't really do Misawa's career justice, but the good thing about being an Internet smark is that there are definitely going to be people who post at your message boards who do. I'm lucky enough to post at A1Wrestling with a guy by the name of Todd Yates (poster handle "T-Y"). His knowledge of '80s and '90s puroresu is almost unmatched, and since those were the formative and heyday years of Misawa, I couldn't think of a better person to write the following guest blog.
Mitsuharu Misawa: The Early YearsA Guest Blog by Todd YatesOn Saturday night, June 13 2009, Mitsuharu Misawa passed away after taking a so-called routine backdrop suplex in the ring. I have to admit; I haven't followed his career much after he left All-Japan Pro Wrestling and formed Pro Wrestling NOAH back in 2000. In fact, I stopped following the Japanese scene not too long after 2000. It got to the point where I got a bit uncomfortable watching these dangerous moves where the wrestlers would land on their neck and/or head. Oddly enough, the very thing that started to make me uncomfortable about watching the hard style of pro wrestling that was employed in Japan was what ended up taking the life of Misawa.
But I'd like to talk about Misawa's formative years up to the point where he was firmly cemented as The Man. I'd also like to write a bit about some incidents that led to him becoming The Man, even though at the time, it was impossible to see the consequences of those events.
While Misawa began his career in 1981, his big break came as Shohei "Giant" Baba started to aggressively compete for talent by raiding the rival New Japan Pro Wrestling headed by Antonio Inoki. These raids were probably not all that dissimilar to what the WWF did in the '80s and what WCW did in the mid 90's. Although the big names acquired by Baba was Riki Choshu and Masa Saito, he made another move that proved to be the big break for Misawa. A popular junior heavyweight wrestler for New Japan in the early '80s was Tiger Mask. Tiger Mask was actually a comic book character bought to life by New Japan and "played" by Satoru Sayama. The original Tiger Mask went on to revolutionize the high flying style of Junior heavyweight wrestling and became wildly popular not just to kids (which was the original intent) but even hardcore wrestling fans, thanks to classic feuds he had with The Dynamite Kid and Kuniaki Kobayashi.
However, Sayama left New Japan around late 1983 and went on to help form the original UWF, a shoot style federation which actually would impact Misawa's later career in a different way. Although I'm not familiar with the maneuvering done by Baba to achieve this but Baba ended up buying the rights to the Tiger Mask name, it gave Misawa his first big break as he became the second man to wrestle in the mask. Baba tried to recreate the magic of the original Tiger Mask by bringing in rivals of the original Tiger Mask like Dynamite Kid and Kobayashi. While Misawa did have some highly regarded matches during his stint as Tiger Mask (including one that is heavily praised against Kobayashi in March of 1985), ultimately, it just couldn't match the original. While history would prove Misawa to be a far superior wrestler than Sayama, Sayama was a far better Tiger Mask. To be fair, Misawa was far bigger than Sayama, who was probably 160 lbs. at best and lacked the grace of Sayama. However, if you would go back and watch Misawa as Tiger Mask and remember that it was the mid '80s, his aerial skills are quite impressive. If you only know Misawa by his later works, probably a bit surprising. Anyone looking for any recommendation of junior heavyweight Tiger Mask Misawa Era, definitely hunt down the aforementioned Kobayashi match.
While most of Misawa's poundings that led to his downfall was due to his brutal matches in the '90s, his junior wrestling style already gave him severe injuries, including one to his knees which, if I recall correctly, occurred during the aforementioned Kobayashi match. Baba would soon move Misawa to the heavyweight division and in an interesting sidenote, Misawa would go on to wrestle iconic American wrestlers like Ric Flair, Curt Hennig, Ricky Steamboat and Bret Hart. While none of these matches are classics, it is interesting to watch the man that many consider the best wrestler of the 1990s and possibly of all time in the ring against not just '80s icons like Flair and Steamboat but also the man some consider the best US wrestler of the '90s in Hart (and Hennig in the late 80's was actually thought to be the heir to Flair's throne as the best wrestler in the world).
Tiger Mask Misawa had some good matches as a heavyweight. His March 1988 match vs. Jumbo Tsuruta was a great overmatched youngster against "The Man" type match. Excellent psychology as Misawa Mask (as he became known as) wrestled conservatively at first, not wanting to make a mistake and if anyone things a headlock is a boring thing, this is the match to watch to change that. In a sidenote, I always found it interesting that March 1988 also had a match that a headlock would play a large role in which also featured a young up and comer vs The Man....Flair vs Sting. This match is definitely available on YouTube as I linked it over to A1wrestling.com so I'll let you watch and judge the excellence of this match.
A couple of incidents would lead to the biggest push of Misawa's career and his eventual path to becoming The Man and also would lead to Misawa being involved in some of the greatest matches ever in the 1990's. First was the departure of Genichiro Tenryu from All-Japan. He was second fiddle to Jumbo as a tag partner for most of the 80's but they eventually started feuding around 1988. All-Japan was affiliated with the NWA and AWA and their champions would tour All-Japan. Eventually, Baba developed an isolation policy and stopped bringing in the NWA and AWA champion. Thus the Triple Crown (which is actually 3 titles that were unified, hence the name) became the main title defended in All-Japan. Jumbo was the first Triple Crown, establishing himself firmly as "The Man". Jumbo's main native rival would be Tenryu and in what some people call the match of the year in June 1989 (which if you consider was the year of the Flair-Steamboat trilogy is quite a statement and not a blasphemous one at that...I know this is a Misawa piece but see if it is on YouTube to judge), Tenryu did beat Jumbo to win the TC and it looked as though this would be the main feud to carry All-Japan into the 1990's (in the mix were American wrestlers such as Stan Hansen and Terry Gordy).
However, Tenryu would bolt All-Japan in 1990 to head up his own federation called SWS. Now All-Japan was in need of a native to take the place of Tenryu. Young stars Misawa (still wrestling as Tiger Mask) and Toshiaki Kawada (Misawa's tag partner at the time in a relation that would eventually mirror that of Jumbo and Tenryu) were chosen to be elevated to that level with Misawa, the senior partner, ahead of Kawada. During a tag match in 1990 soon after Tenryu left, Misawa ordered Kawada to remove the mask and thus Mitsuharu Misawa was revealed to the world. How many people remembered him from before the mask, I do not know, but this began the Misawa era.
In June 1990, Misawa would meet Jumbo Tsuruta. Earlier, I mentioned Sayama leaving New Japan to help form a shoot style organization would impact Misawa later on in a less obvious way. The shoot style, which is a more realistic style of pro wrestling based on mat wrestling and martial arts style strikes (and many thought it was real), had a fairly large cult following and one of the signatures of that style were clean finishes. If you would watch a lot of All-Japan matches of the 70's and 80's, you would see a lot of count out type finishes and I think it was a bit anti-climatic. But with the cult following of the shoot style getting larger and larger, clean finishes would become the norm not just in All-Japan but other Japanese organizations as well.
Legend has it that Baba told Jumbo just mere minutes before this pivotal match that he was to put Misawa over. Jumbo asked if it was to be a count out win for Misawa and Baba said no, put him over clean. This match is on YouTube and I even linked it to the Misawa thread over at A1Wrestling so you can all watch it if you haven't and be the judge.
(Ed. Note – This is the match posted last night in From the Archives) Besides, I haven't seen it in a long time thus I probably can't do it justice. It was a flash pin in which even Misawa couldn't believe he won and even though Misawa lost the rematch a mere 3 months later (in a match that was just as good, if not better than the first due to the tension created by Misawa's win). Misawa was now put in the class of Jumbo. In retrospect, it's clear that there's no way that Jumbo is going to lose two in a row to Misawa at this point. While a pissed off Jumbo does bring more pain to this match, Misawa clearly shows he belongs and although it was a flash pin, it was not a fluke pin. In showing the "fighting spirit" (more a New Japan term but applies to the Japanese attitude), there's absolutely no loss in his heat.
For such a huge historical match, this wasn't even for a title as Jumbo wasn't the TC champion at the time. Misawa's time would come a couple of years after his victory over Jumbo in 1992 as he would beat Stan Hansen for the crown. However, another event pivotal to Misawa's career would occur outside the ring. Jumbo Tsuruta would be diagnosed with Hepatitis B in 1992 which effectively ended his time on top. Thus now Misawa would stand alone as the main native wrestler for All-Japan.
The new "#2" native would come in the form of his soon to be former partner Kawada. Many fans felt that Kawada is the superior worker of the two even at this point in their careers. His stint as part of the team "Footloose" with Ricky Fuyuki and also as the junior partner of Tenryu led to some great performances on his part. However, when he rejoined Misawa in 1990, he was the clear #2 despite some people claiming he was the better worker. Whether he was or not will always be up for debate but it was clear that Misawa had more charisma (at least the type that conveyed the confidence of a champion), better looking and the reality of the matter is that seniority is a very important thing in Japan and Misawa was the senior member of the team.
Nevertheless, with Jumbo now no longer part of the main event scene, the path was clear for Kawada to be the main native challenger to Misawa and it would become one of, if not the biggest, rivalries in pro wrestling history.
Kawada's first challenge to Misawa for the TC championship was in 1992 and he also challenged for the title again in 1993 but the June 3rd 1994 match is the one many people to this day consider the greatest singles match in the history of pro wrestling. Basically pinning Misawa was the mountain Kawada keeps failing to climb but the buzz entering this match was that it was Kawada's time to usurp Misawa. Kawada had just won the Championship Carnival in April, which is a yearly tournament All-Japan based on points so he was on a hot streak. If I'm recalling correctly, there was also some injury issue with Misawa. Another factor was history. Kawada's mentor was Tenryu and as mentioned earlier, the Misawa/Kawada dynamics has some resemblance to the Jumbo/Tenryu one. The aforementioned June 1989 match where Tenryu beat Jumbo, that was the third match in their series (first was in late fall of 1988, the second was April 1989...I apologize as dates aren't a strong point). This was Kawada's third challenge to Misawa for the TC title. The parallels were intriguing to say the least. Alas as most of you know, Kawada once again failed in his quest to beat Misawa. Again, this match is on YouTube and rather than describe it, watch it and judge for yourself (on a side note, what a great time to be a wrestling fan as opposed to when we had to order from Jeff Lynch to see this stuff but I digress). This match is famous for the Tiger Driver '91 finish. It wasn't the first time Misawa used this move, and he rarely used it. For Misawa to have to use this move to beat Kawada is an excellent example of losing but not losing any heat as Misawa used every resort to get past Kawada.
I'm going to stop here even though I said I would go up to 1999 but it's getting very long and for me, the story gets less interesting for me after 6/3/94. The All-Japan Four which was Misawa, Kawada, Kenta Kobashi and Akira Taue either as singles or as tag teams consistently put on some of the greatest matches ever on a regular basis during this period. After the seminal 6/3/94 match, Misawa would soon lose the TC title to Steve Williams, who in turn would lose it to Kawada. After Kawada and Misawa split, Kobashi would become Misawa's partner while Kawada and Taue teamed up. A significant match was the June 1995 tag match where Kawada finally pins Misawa. And in 1998, Kawada would finally beat Misawa for the TC crown, ending Kawada's journey of beating Misawa for the TC title in what was All-Japan's first foray into the Tokyo Dome. These were all thrilling match (although by the late 90's, they were all showing their wear) but in retrospect perhaps hard to watch now given the end result for Misawa.
Even though the TC title changed hands a decent amount of time in the 90's (not talking late 90's WCW here but there was no Bruno Sammartino-esque type reign), Misawa was clearly the main guy. He was the chosen one of Baba to go over Jumbo in that fateful night and although there were some rumblings that maybe Kobashi was the guy to eventually take over and while he was a super worker, he just didn't have that aura of being "The Man" that Misawa did. And neither did Kawada. It will be forever argued that out of Misawa, Kawada and Kobashi, who was the best of them and each have their pluses and minuses but like Ric Flair was born to play the role of the World Champion in the American style of pro wrestling, Misawa was born to play "The Man" for the All-Japan style of the '90s. He had the right mix of realism and the more showman pro wrestling personality. Kawada had the realism but not the showman while Kobashi had the showmanship but not the gritty realism. At least not in the perfect balance Misawa had.
So where does Misawa stand amongst the giants of Japanese pro wrestling? I think Rikidozan will forever be number one. Inoki and Baba are pretty much locks for number two and three. It becomes harder after that. Where does Misawa compare to other important figures such as Riki Choshu, Akira Maeda and even Nobuhiko Takada (well actually, I would easily put Misawa above Takada now although in 1994 I probably would not have). Well I don't know and in reality, I don't think anyone really say but seeing how the 1990's All-Japan period is fondly thought of as the greatest promotion ever if you take into account match quality and gates, you have to put Misawa pretty high.